![]() Therefore, when learning to play with curved fingers, it’s less important to think about keeping a ball shape, or a claw shape at all times, but more important to keep in mind the reason for doing a curved shape in the first place, and trying to keep the hand at a good curve where all the fingers can easily reach the keys.īut! Flat fingers are an entirely valid technique, and it would be simplistic and lazy to just dismiss it as “curved fingers good, flat fingers bad”. This is why piano players are always taught to curve curve curve – in order to accommodate for this difference in length. ![]() The keys on the piano, however, are all a uniform size.Īnd so, if you place your middle finger on middle C, and stretch your hand out straight, chances are that you won’t be able to reach the A with your pinky. ![]() Notice that all of your fingers are probably a different length – the middle finger is longer than the pinky, etc. Now let’s take a look at a piano keyboard: Presumably you’re a human, and it looks something like this: I was just following blindly up until then!) (It was a pretty life changing moment for me. I remember all the metaphors – tennis balls, oranges, claw shapes, the whole shebang (I can never look at one of those claw machines anymore without thinking of piano).īut although I learnt to play with curved fingers, I never really understood the reasoning behind it until I swapped teachers and my new teacher actually explained it to me. Every piano player (or at least any one with a teacher worth their salt) would have had curved fingers drilled into them from a very young age.
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